Mills turns up here again during the opening credits, soaping herself up in the shower as we see crew names like director Mark Haggard The All-American Girl , cinematographer Douglas Knapp Assault on Precinct 13 , and executive producer Bob Chinn, who went on to direct porn films like Baby Cakes and Little Orphan Dusty. The others do well enough with their more limited roles, with the three ladies all giving their all in scenes ranging from passionate to terrifying. The print used here is pretty beaten up — there are lines down the screen more or less all the way through and a couple of scenes are savagely chopped about — but this seems to add to the grindhouse aesthetic, and the colours are strong. The print of The Love Garden is in pretty good if not pristine condition, and certainly seems complete. However, he's quickly distracted by a pretty young thing splashing around in the pool who turns out to be his new neighbor, Clare Panorama Blue's York. Second feature The Love Garden, made in by producer Bob Chinn later a hardcore director and creator of Johnny Wadd and directed by Mark Haggard, is altogether less grubby. There's also some pretty jaw-dropping dialogue, too, like "It's hard to tell if she's afraid of being raped or what's going to happen afterwards. Mike decides to get her to switch teams by hiring her on as his personal secretary after she gets fired from her current job, and while his plan seems to be on the right track, the heart isn't always so easy to manipulate. A short, steamy little chamber piece, this one is most memorable for its two central, highly intense sex scenes, which take up a pretty large chunk of the running time and manage to veer right up to the edge of hardcore in a few shots.
The centerpiece here is a surprisingly upsetting sexual assault, scored with crazy theremin music and climaxing with a really vicious punchline involving a hunting knife. Sure enough, Joanne skin flick regular Dempsey and Barbara Rose , along with their bespectacled agency owners George Stone sporting the ugliest dyed combover in movie history and his much hotter wife Cindy Sweet Georgia's Mills , wind up staying at the fancy house of their client, Mr. The Vinegar Syndrome release is presented full frame as originally shot unlike the 1. Mike decides to get her to switch teams by hiring her on as his personal secretary after she gets fired from her current job, and while his plan seems to be on the right track, the heart isn't always so easy to manipulate. The film itself ain't art, of course, but it's a keeper all the same. Colors look perfectly fine which is also miraculous in itself these days , and the transfer itself is handled with as much care as possible. The other interesting aspect of the movie is that, having set Mike up as a predatory alpha male throughout and, given that the story is narrated from his viewpoint, seemingly one we are supposed to relate to , the film ends with him a broken, lovelorn man. Meanwhile Cindy, who likes to lounge around in completely see-through nighties, has a random flashback or something; it's hard to tell as there seems to be a little footage missing as we're "treated" to a lengthy sex scene between her and George. Mills turns up here again during the opening credits, soaping herself up in the shower as we see crew names like director Mark Haggard The All-American Girl , cinematographer Douglas Knapp Assault on Precinct 13 , and executive producer Bob Chinn, who went on to direct porn films like Baby Cakes and Little Orphan Dusty. Directed by Arthur Byrd, aka Stu Segall now a successful TV producer, but in the 70s and early 80s a porn director most often under the name Godfrey Daniels, responsible for the likes of Insatiable and written by Edward Everett aka fellow hardcore bigwig Harold Lime, real name Ted Paramore , this is a cheerfully squalid softcore take on The Most Dangerous Game a film referenced in the dialogue for anyone not getting the connection. So The Suckers is hardly wholesome viewing, but fans of unashamed bad taste will certainly find it entertaining. There's something about the story that makes softcore films seem more twisted than usual, as Jess Franco proved twice when he adapted the story as both Countess Perverse and Tender Flesh. Rounding this out to make it a double feature is the far more familiar The Love Garden, a three-actor softcore staple that's been floating around from Something Weird at le ast since the early '90s. Though it possesses all the necessary sleaze staples, The Suckers somehow managed to vanish off the face of the earth for decades; even co-producer David F. Notably and in contrast to what the ill-informed like to say about modern porn , this sort of nastiness would become rather rare once hardcore took over. The idea of doing a drive-in version of the pioneering manhunt story "The Most Dangerous Game" isn't exactly a new one, but this may be the first sexploitation variation as it beat The Woman Hunt by a year. In voiceover he thinks it'll be easy to get Clare into the sack, but then he finds out she's actually a lesbian who's living with her girlfriend, Inez Mills. Mills who also stuck to strictly soft fare has the least demanding role, but she acquits herself well and manages to generate some sparks with York in their scenes together. A short, steamy little chamber piece, this one is most memorable for its two central, highly intense sex scenes, which take up a pretty large chunk of the running time and manage to veer right up to the edge of hardcore in a few shots. The print used here is pretty beaten up — there are lines down the screen more or less all the way through and a couple of scenes are savagely chopped about — but this seems to add to the grindhouse aesthetic, and the colours are strong. Second feature The Love Garden, made in by producer Bob Chinn later a hardcore director and creator of Johnny Wadd and directed by Mark Haggard, is altogether less grubby. A truly wild piece of work, The S uckers spends its first 45 minutes or so setting up the plot and fiddling around with three long, relatively graphic softcore love scenes complete with loads of POV groping shots straight out of Street of a Thousand Pleasures , then switches into serious roughie mode for the final half hour once the big hunt kicks in. Eventually, his relentless seduction pays off, but for how long? The fact that the gorgeous York never went beyond softcore makes this one a novelty item of sorts, though her male lead with the mighty sideburns, better known as Jason Yukon, also appeared in William Rotsler's The Godson the same year and did make the leap to hardcore with a couple of features and loops. Somehow Vinegar Syndrome managed to unearth a print of this incredibly rare sucker, and like their other DVD-only releases, it's obviously not in a condition pristine enough to justify a Blu-Ray.
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Kissing In Garden
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