The Uninvited, by debut director Lee Su-yeon best known previously for her short film The Goggles , falls squarely into this category. The engine of the narrative is its characters, all seemingly "normal" people but always slightly on the edge, as if trying to prevent by ignoring sudden outbursts of frustrated emotions. Kim Min-jong plays against the role as written in the screenplay, which suggests a romantic tough guy in the Choi Min-soo-Sylvester Stallone mold: Kim is a pleasantly level-headed comedy that goes to the opposite direction from, say, The Way Home, despite superficial similarities. Upon its release, Jealousy was instantly compared to Hong Sang-soo films by the Korean critics. Although I couldn't completely ascertain in which city Mutt Boy was placed, I knew it wasn't from Kwak's hometown of Busan, the dialect of which is peppered throughout his massively successful Friends, since there is dialogue in Mutt Boy that mentions someone's return from Busan. Kim's film can be considered part of what Mark Peranson calls "The Cinema of Orgasm," films in which nothing much happens but when a climax is finally reached, we are struck with visceral feelings of shock, horror, sadness, or simple release that stay with us well after we've left the theatre or turned off the TV. At the same time, reflections in the mirror still hold, and always will hold, a certain uneasy fascination for the imaginative, the sensitive and the paranoid among us, as the myth of "Bloody Mary," for instance, attests to. Their faith demands that they renounce the world of flesh and realize its illusory nature, and yet the movie focuses on their weaknesses, their inability to do so.
The Uninvited, by debut director Lee Su-yeon best known previously for her short film The Goggles , falls squarely into this category. Well, not Into the Mirror. Meanwhile, Young-min's skeptical former colleague Hyeon-su Kim Myeong-min from Sorum begins to regard him as the prime suspect. Placing Yeon, who will never fit into mainstream society because of the visions she sees, into the space of the apartment building makes for a bittersweet juxtaposition. This can be seen in some unusual uses of sound and a multi-layered, complex narrative, not to mention an unusually long running time of minutes. When you see a black shirt, it means most of the light was absorbed and very little was reflected. Let me put it plain and clear at the outset: My father went on to tell me how, once he moved from his hometown of George Blanda to the hometown of me to attend college, he realized how people disparagingly perceived the way he spoke. Particularly disappointing is the character of beautifully drawn Jay, who sets out as the narrator of the film, but ultimately turns into a dewy-eyed pretty girl bouncing off like a pinball between two snarling competitors for her affection. But the truth is that the color itself is not a factor to block away UV radiation. He ventures out to Seoul, leaving behind the tearful Eun-ji Kim Jeong-eun , his village sweetheart. A Tale of Two Sisters is a work of art. It's particular and universal at the same time. I should point out that Singles is not a serious docudrama about the trials and tribulations of the unmarried late-twentysomethings living in Korea which can get pretty tough, what with credit card debts, parental pressures, etc. I was kibitzing like Martha Stewart crashing a church bazaar, until his fuse went out and he bellowed at me, "Why don't you write one! They pointed to meticulous observations of the everyday minutiae, naturalistic performances of the actors, restrained editing and camera movement and other common features. His screenplay is also quite daring, showing little regard for either Hollywood narrative conventions or for playing it safe commercially. Is it out of sheer jealousy and is he in fact using Seong-yeon? Jin-sung and Hye-ju have their wishes granted. Butterfly ought to be a laugh riot for wrong reasons, or the kind of mothball-smelling retro-'70s melodrama that might impress Aunt Yeonsogguk, you know, one who had been addicted to TV soaps for last 30 years. If anything, I think the film errs in trying to explain too much. Because of this, he made the conscious "unconscious" decision to stricken his accent and the vocabulary that came with it from his voice. I say he needs a new pair of contact lenses. What makes him attracted to Seong-yeon, for example? Cha chooses to play the key emotional "three handkerchief" scenes in My Teacher, which are mercifully not many, subtle and subdued.
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